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Deze vintage sounding preamp zorgt ervoor dat je meer dan genoeg gain hebt om je favoriete ribbons en dynamische mics comfortabel in de mix te leggen.
Hij rond iets af in het hoog en zorgt voor een zeer mooie body. De iets saaiere mics krijgen een uitgesproken karakter of hij versterkt de kwaliteiten van karaktermics. Zeer mooi op gitaar,stem en zelfs drums.
De beste prijs/kwaliteit preamp die je kan vinden
Hij word geleverd met garantie en 2 weken terugstuur recht.
“Given the very affordable price of the PRE-73, it´s performance is astonishingly good, as is its build quality.”
“... I cant detect any serious corner-cutting, and the aim of presenting a warm, vintage sound that´s musically attractive has been met extremely well indeed.”
“It´s difficult to recommend anything else in this price range when it comes to ‘mic amps of character”
Sound on Sound, March 2009st one-channel low-cost prea
The PRE-73 is the first one-channel low-cost preamp on the market that is using a fully discrete signal path with three separate transformers for the balanced mic input, the line input and the output.
The circuit is very similar to the classical preamp section of the Neve 1073 pre/eq module with a corresponding sound character that is warm, punchy, sweet and musical.
This classical sound has been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres.
The PRE-73 has a maximum gain of 80 dB on the mic input and the gain range on the Line input is -20 to + 10 dB. There is also a high-impedance instrument input.
The PRE-73 is perfect for almost any signal source, no matter if it’s a microphone with a high or low sensitivity (like a passive ribbon mic), a syntheziser or sound module or an electric guitar or bass.
The input impedance of the microphone input can be switched between 300 and 1200 ohms, which makes it possible to affect the tone of most microphones. There is also phase switch and an simple 4-step LED signal level meter.
The output level control makes it possible to make fine gain adjustments and also to overload the main gain stage for more character and then lower the signal to a suitable level before the output stage.
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